Career Corner: A July Roundup of Scholastic Jobs

This month, Scholastic has some new job postings highlighted as part of our regular "Career Corner" series. Perhaps you'd be the right fit for one! As always, you can also check our LinkedIn page and our brand-new Career site. (Also: check out our Talent Network! See the note at the bottom of this post.)

Featured Jobs for July: 

  • Search Engine Marketing Manager
  • Product Owner, eCommerce
  • Senior Financial Analyst (Klutz)

 

Search Engine Marketing Manager

The Search Engine Marketing Manager creates, manages, and optimizes search engine marketing programs for both natural (SEO) and paid search across Scholastic. The Search Engine Marketing Manager will work closely with our agency partners and our in-house team to help our sites maximize rankings, traffic, customer engagement, revenue, and long-term loyalty.

Responsibilities include:

  • Managing the search engine marketing channels, both paid and organic
  • Managing the paid search and shopping process end-to-end, from campaign inception, management and optimization, through post-campaign analysis.
  • Within organic search, partnering with technical and content teams to improve the visibility, rank, and relevance of sites in search engines over time. 

To view the complete job description, including additional responsibilities and desired qualifications, click here.

Product Owner, eCommerce

Scholastic is looking for an experienced Product Owner who is passionate about creating and delivering an exceptional direct-to-consumer eCommerce experience targeting Scholastic’s 5 core constituents:Teachers, Administrators, Parents, Partners and Librarians.

Responsibilities include:

The Product Owner will strategize the best approach for development and oversee the work to execute and release. In this capacity, this individual will develop user stories and test scripts that drive development and test activities. The role is required to demonstrate strong analytical and problem solving skills, working with agile development teams to drive planning and scoping of releases. The Product Owner will be hands-on, problem solving to ensure success.

To view the complete job description, including additional responsibilities and desired qualifications, click here.

Senior Financial Analyst (Klutz)

Klutz creates award-winning, premium activity kits for kids and kid-minded adults. The Senior Financial Analyst for Klutz is responsible for the P&L and Balance Sheet, including all related tasks for monthly close, budgeting, and forecasting.

Responsibilities include:

  • Sales reporting: will work closely with Planning & Sales on budgeting and forecasting sales across all properties/accounts (waterfall)

  • Sales Metrics

  • Preparation of commentary for DB meeting

  • Return Reserves: budgets/forecasts actual returns, manages model

  • Accounts Receivables/Bad Debt: works closely with AR to understand aging, cash receipts, chargebacks

  • Completes all account recs for quarter and year end closes & uploads to Sharepoint

  • Assists with financial presentations (budgets and forecasts)

  • Klutz Daily Sales

To view the complete job description, including additional responsibilities and desired qualifications, click here.

Don't forget!

Click here to join our Talent Network! The Scholastic Talent Network is free and easy to join, and doing so will enhance your job search and application process.

  • Receive alerts about new job opportunities that match your interests

  • Stay up-to-date on company news from Scholastic

  • Be able to digitally share job opportunities with family and friends

Whether you choose to apply to a specific role today or just leave your information for future opportunities, we look forward to staying connected with you!

 

Scholastic Reports Q4 and Fiscal 2017 Results and Fiscal 2018 Outlook

Today, Scholastic Corporation (NASDAQ: SCHL) reported financial results for the Company’s fiscal fourth quarter and full year ended May 31, 2017. Read the press release here

Some of the highlights from Fiscal 2017 include:  

  • Revenues grew 4% to $1.74 billion. Excluding the impact of foreign exchange, revenue increased 5% versus the prior year period. Domestic trade publishing revenues were up 45% on the performance of new Harry Potter publishing and other strong titles, including Dav Pilkey’s Captain Underpants and Dog Man series, while children’s trade publishing saw growth across international markets.
  • Education revenues increased 4% for the year and 12% in the fourth quarter, driven by continued higher levels of market penetration for the Company’s balanced literacy programs, including core guided reading and summer reading.
  • Operating income from continuing operations was $88.9 million, up 32% from $67.6 million in the prior year. Excluding one-time items, operating income from continuing operations was $109.1 million, up 17% from prior year. Operating margins improved in all three segments.
  • Earnings per diluted share from continuing operations increased 17% to $1.48. Excluding one-time items, earnings per diluted share was $1.83, an increase of 8% versus the prior year period, exceeding guidance.

“In fiscal 2017, operating income grew by 17% driven by the strong performance in trade in the first half of the year and the strong finish in our Education business in the fourth quarter,” said Richard Robinson, Chairman, President and Chief Executive Officer. “We continue to see an expanding market for our core Pre-K to 6 reading programs as a substitute for basal textbooks, and we are in a strong position to continue to grow market share with our comprehensive literacy curriculum and professional learning services."

Read more at Publishers Weekly.

#WeHaveDiverseBooks: 5 Questions with author Tanuja Desai Hidier

#WeHaveDiverseBooks: 5 Questions is a spotlight on OOM dedicated to exploring Scholastic’s amazing distinct voices. We’ll take a deep dive into the backgrounds, inspiration and works of these authors and illustrators.

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This year marks the 15th anniversary of the publication of Born Confused. To celebrate, we sat down with author Tanuja Desai Hidier to talk about the groundbreaking duology.

Tell us a little bit about your background and yourself as a child.

I was born in Boston and lived in Bombay for a couple of years as a baby—my mother was born and raised in Bombay, and my brother was also born there. I grew up in the US, in a small town in Western Massachusetts called Wilbraham. I currently live in London, where I’ve lived for the past seventeen years, and from where I wrote both Born Confused and its sequel Bombay Blues.

We were the first “brown” people of this type (South Asians) when we arrived in Wilbraham. At that time there were no people of our particular color anywhere on bookshelves, in magazines, or on TV. Add to that the fact that my parents were the first from both sides of the family to immigrate to the US. I was part of a loving family and had a good set of friends – my childhood was also filled with constant daydreaming. In fact, this daydreaming was perhaps why I felt different—this tendency to get lost in books and stories and in my own imagination created a separation. Something that I’ve only realized recently looking back on this time and on my writing up until my twenties is that I never wrote people of color into my stories. It took me many years to lay brown ink to white page. And what a joy and relief it was.

When did you decide you were going to become a writer? How did this decision come to be?

I wanted to be a writer from as far back as I can remember. Growing up, I could always be found with my nose in a book, nearly walking into walls half the time. I had shelves upon shelves of books arranged by subject matter: historical/nonfiction; mystery; witch/ghost/supernatural tales. I began writing poems when I was around five or six (I still have three-ring binders packed with them). As I got older I wrote my first book and then some short stories, but the dream was always to write a novel. And many years later, when I pitched Born Confused to my dear editor David Levithan, his words were: “That’s a book I haven’t seen on a bookshelf before. And I’d like to help you get it there.”

2017 marks the 15th anniversary of the publication of Born Confused. Tell us a little bit about the book and what makes it and its characters special.

Born Confused takes its title from “ABCD” or “American Born Confused Desi”, a moniker created by native South Asians to describe second and third generation children of the diaspora who are purportedly confused about where they come from. Set in the context of the burgeoning South Asian club scene in NYC in the early 2000s, Born Confused is a redefining of this alphabet through the journey of Indian-American teen Dimple Lala. Dimple is an aspiring photographer who, during a NY/NJ summer, has her world turned on its head as she tries to bring together her two cultures without falling apart in the process. Over time, her soul-searching—aided by her family, friends, love, and art—transforms her own “C” for confused into a “C” for creative: “American Born Creative Desi”. This seemed to me to be a more accurate representation of the generation of South Asians who peopled my world, and were in fact shaping and creating the culture as they went along.

Why do you think Born Confused was so revolutionary? Why does the book continue to push boundaries?

Perhaps because being yourself, loving yourself, living unapologetically outside of the lines, or remapping them, is the most revolutionary act of all. Born Confused is at its heart about being yourself. And letting those around you, in all their “skins”, do the same.

So many of the issues that we are discussing in our society today, for ex. gender, people of color, feminism, these all play a significant role in Born Confused. In the current political climate it feels vitally important that we share and celebrate all of our stories.

What would you like to say to any educators or students who are just picking up the book now? What would you like them to know before they begin reading?

First and foremost, I’d like to say thank you! Thank you for reading! And a special thank you to educators for the vital work you do and the support and sustenance you give our stories. I hope you enjoy sharing Dimple’s path from Born Confused, onto Bombay Blues and beyond (once I get there). If you are so inclined, give a listen to my book track albums of original songs linked to the books: “When We Were Twins” (songs based on Born Confused) and “Bombay Spleen” (songs based on Bombay Blues). The songwriting was intertwined with the writing of both books, often illuminating the story for me from fresh angles. Music is an integral part of both stories and of Dimple’s journey towards self-discovery and love. You can also visit my website for additional resources: www.ThisIsTanuja.com.

I read eight Goosebumps books in one week & here's what I learned

Last week, we released the 43rd episode of the Scholastic Reads podcast, "25 Years of Goosebumps." In this episode, I served as guest host with Suzanne McCabe. I got to talk with Goosebumps author R.L. Stine about the series, its 25th anniversary, and more.

Being a huge Goosebumps fan growing up, I took this opportunity very seriously. I soon realized that I had not read a Goosebumps book in more than 10 years (at least). A week before the recording, in order to prepare, I checked 15 books out of the Scholastic Library.

Checking out that number of books was optimistic on my part. In the end, I was only able to read eight. However, I learned a lot from those eight books! Here's what I read:

  • #1 Welcome to Dead House
  • #2 Stay Out of the Basement
  • #3 Monster Blood
  • #4 Say Cheese and Die!
  • #5 The Curse of the Mummy's Tomb
  • #6 Let's Get Invisible
  • #7 Night of the Living Dummy
  • #11 The Haunted Mask

Now, here's what I learned looking back as an adult reader (SPOILERS AHEAD):

No one dies

With the exception of the family dog in Welcome to Dead House, no one actually dies in a Goosebumps book. (They may be trapped in a parallel dimension or stuck as a plant, sure! But not *dead* dead.)

They're still funny, but in a different way

I definitely spotted the jokes for kids as I read. But there were other lines that made me laugh as an adult–mainly when kids were overdramatic about little things. In Welcome to Dead House, for example, when the lead character realizes that she'll never eat breakfast in her childhood kitchen again, she refers to the thought as MORBID. Now, I'm sure as a tween I would have had the exact thought if I were in the same situation, but to see it described as morbid was hilarious.

Bullies are still scary

In the podcast, Stine mentioned how he loves to write bullies, and I can see why. They're scary even to adults! I can't remember being bullied too much growing up. But when one character punched another–I forget if this happened in Monster Blood or Say Cheese and Die!–I gasped and was shocked.

Adults can't help you

In Stay Out of the Basement, a father turns into a plant and tells his children and wife not to worry. In The Curse of the Mummy's Tomb, parents leave their child alone in a hotel room in Egypt and fly back to the United States. It's only for a few hours until the boy's uncle shows up, BUT STILL! And in Welcome to Dead House, the parents get captured.

In Goosebumps books, adults can't save you, not even your own parents. As a kid, that's terrifying. As an adult, I stopped to think: Would I believe my kids (to clarify: I do not have kids) if they came to me with stories of monsters, demon dolls, and mummies? At 32, I'm officially part of the problem.

Slappy the Dummy was second banana in his debut

Slappy the Dummy is by far the most popular character to emerge from the Goosebumps series. But do you remember Night of the Living Dummy? Mr. Wood is the main villain! This shocked me; I didn't even remember Mr. Wood from when I read the book as a child! (Something else I jotted down while reading this book: "Never read ancient spells out loud." Good advice.)

They're quick and consistent

All of these books are around 130-135 pages. They are written at a 3rd to 7th grade level. The chapters are a few pages each, and most if not all the chapters end with a cliffhanger. It was easy for me to devour the books as a child, and as an adult.

On the podcast, Stine jokingly (?) said that the only thing for readers to "get" from the Goosebumps series was to learn to enjoy reading. Even if that's true, I think that's still a worthy achievement, and something all parents hope for when their child reads a book!

For more on R.L. Stine and Goosebumps, listen to episode 43 of Scholastic Reads wherever you get your podcasts!

Why "Pride and Prejudice" still matters

200 years ago today, the incomparable Jane Austen died. The world is celebrating her legacy all year long. Today, author Elizabeth Eulberg (Prom and Prejudice) shares why Jane still resonates so much. 

Like a fine wine or George Clooney, Pride & Prejudice keeps getting better with age. What is it about Austen's novel that makes it so timeless? I've always been a fan of Miss Austen and her work, but it wasn't until I set off to do a modern retelling that I truly realized how brilliant Pride & Prejudice is.

When doing a retelling you have to break the original book down to its core and then build it back up again with your own take on the characters and twists. I enjoyed immersing myself so much into her world that it wasn't until the eve of Prom & Prejudice's publication that I thought, "You idiot! Why would you tackle one of the most beloved novels of all time?" I'm not the first (or even the hundredth) person to do a retelling of Pride & Prejudice, but the groundwork that Miss Austen laid for novelists is at the core of why I believe her novel is still so beloved two hundred years after its publication.

Love: As the Beatles once said, "All You Need Is Love" and Pride & Prejudice has arguably one of the greatest love stories of all time. It's part of human nature to want to be loved. To find that one person who completes you as a person. But back the early 1800s England, marriage most often was a business arrangement. Then comes Elizabeth Bennet who isn't willing to marry for the sake of a dowry. She wants love, and I don't think there's a single reader who isn't cheering for her.

Humor: While Pride & Prejudice is a romantic book, it's also very, very funny. The exchanges between Mr. and Mrs. Bennet are better than most sitcom banter. We've all had that one family member who just can't stop embarrassing you in public (I'm now wondering as I type if I'm my family's Lydia). And then there's Mr. Collins. Who hasn't been stuck in a conversation at a party with someone who just drones on and on (and on...)? It's these "been there" moments that also make the book extremely relatable, even though we live a very different life than in Austen's day.

Two words: Mr. Darcy - The stiff, humorless guy who turns out to have the biggest of hearts. I'll admit to being turned off by a guy within the first few minutes of a date and think, "give him another chance, he might be a Darcy." (Spoiler alert: he's not.) But Miss Austen has given women the greatest gift of hoping for someone like Darcy: someone loyal and kind. And good looking (Helloooooo Colin Firth!). He will forever be the standard to which all fictional suitors are based on. Oh, okay, real ones as well. 

It's been a few years since I tackled this classic novel, and every time I talk about it or write about it, I'm once again astonished about the new insights that come from it. People will still be talking about Pride & Prejudice in two hundred years, and two hundred after that. It's the gift that keeps on giving. That is the greatest compliment any author could get. And Miss Austen is one of the best.

So on behalf of readers everywhere, happy 200th anniversary, Miss Austen! Thank you for writing such a brilliant, funny, charming book. Thank you creating such real characters, especially Mr. Darcy. Because it always, always comes back to Darcy. 

 

 

A look back at ILA 2017

Educators from all over the country traveled to Orlando last weekend to attend the International Literacy Association's 2017 conference. In case you couldn't make it down to the Sunshine State yourself, here are some of the highlights from a weekend full of conversations about books, learning, and the joy of reading! Check out #ILA17 on Twitter to see even more conversations!

The weekend kicked off with a keynote address by The Rooster Who Would Not Be Quiet author, Carmen Agra Deedy:

The Scholastic booth was home to giveaways, meet-and-greets with favorite authors, signings, and more!

Scholastic authors shared words of wisdom on many panels throughout the weekend.

Our Scholastic Education team went live with some of their professional authors:

And we couldn't help but get choked up reading this story of an interaction author Cecilia Galante had with a middle school principal who came through her signing line:

During my signing at the Scholastic booth a tall, very weary looking man approached me. He was bald and a little bit stooped, and his skin was pink from the humidity, which made his face look like a glossy apricot. He shook my hand and introduced himself as the principal of a middle school in rural Georgia, an incredibly poor district with a 65% welfare population. And then he told me that he was there to get as many of my books as possible for his school library.
"Oh, that's so nice of you," I said. "Thank you. I'm flattered."
He told me he wasn't trying to flatter me. And then he told me a story about a little girl he had come across in the hall one day. She was in fifth grade. She lived in a house at the end of a dirt road with her mother, grandfather, and five younger siblings. Her attendance at school was spotty, mostly because as the oldest, she had to stay home a lot to help her grandfather. She'd missed her bus that afternoon because she was sitting in the corner, reading my novel The World From Up Here. The principal squatted down next to her and asked her what she was doing. 
"I'm reading," she said, holding up the book. 
"Must be a pretty good book," he said. "You missed your bus."
She stared down at the pages. "It's a really good book."
"What's good about it?" he asked her.
She shrugged. Rubbed her nose. Closed the book and stared down at the cover. "Just makes me feel like maybe everything's going to be okay," she told him.
And that, this wonderful principal told me, was why he was there to get more of my books. Because he wanted more of his students to read them and get the feeling that things just might be okay after all. That maybe living at the end of a dirt road with five little brothers and sisters and an ailing grandfather was not where a life ends - but only where it begins.

 We hope to see you next year at #ILA18!

Our natural hair journey, and the books that celebrate it

A discussion about this past weekend’s Curl Fest, in Brooklyn, led to us – Library Intern Chloe Pinkney and Scholastic Librarian Deimosa Webber-Bey – reflecting on our own experiences having natural hair. We both experimented for years before settling in to our current styles. While we have two different looks - shoulder length curls and locs adorned with hair jewelry - we have many of the same routines and products, as well as an interest in books that show the beauty of natural hair.

Check out some highlights of our conversation and our recommendations for books that celebrate curls:

Chloe:  Growing up, I wanted long straight hair like many of my friends had. I begged my mother every year to let me relax my hair, finally when I was ten my mom allowed me to get a perm. From then on I would spend hours every weekend at the salon getting my hair washed and set, putting chemical, upon chemical on my young scalp. Once it was time for middle school I had had it. I drastically cut all my hair off, which still to this day I can’t believe I did.

Deimosa: I can’t believe you did that either! But then you did have your mother’s short hair style as a reference point. You had a sense of what it would look like. How long did you have short hair?

Chloe: From 6th grade to 7th grade my hair went from some tiny, kinky curls on top of my head to a full blown Angela Davis afro. But by the summer before I started high school I was done with the retro look and was ready for something new. I decided on a middle ground between a fully natural afro and pin straight relaxed hair. Using a texturizer made it manageable, giving me a curly bob. Eventually as my hair grew more and more and I continued to cut it every few months until the texturized hair grew out, and a new texture had formed.

Deimosa: Interesting… my mother wouldn’t let me relax my hair for a long time either. I figured out how to French braid, flat iron and cornrow my own hair, and I practiced on my four little sisters. My mom had a rule though; if I put braids in my sisters’ hair I also had to take them out. I finally convinced her to let me straighten my hair with chemicals in 10th grade, but I never got into the beauty shop culture. I bought box relaxers to do my hair and my sisters’, and once I got to college I started to relax my close friends’ hair as well. Then junior year I took a class called ‘Black Womanhood in Culture and Society’, and by the end of the course I was set on natural hair. I pulled it back into an afro-poof in my early twenties, and then after a few years I started locking it. However, I still avoid beauty salons. I don’t mind the hours I spend on a ‘hair day’ twisting and braiding while binge watching TV and doing laundry.

Chloe: Going from having my hair relaxed to natural has actually given me new found joy. Every night I carve out a good thirty minutes, counting the time in and out of the shower, to do my hair. The act of conditioning it, and then adding all the sweet smelling crèmes, allows me to take time out of my day to do something nice for myself. Messaging my scalp and scrunching my curls are a form of self-love after a long day. Another thing that I love is the community that natural hair fosters; I’ve been very blessed to have a lot of friends and family members who choose to wear their hair natural. Being able to turn to my friend, who lives right next to me at school, and ask for her advice on different ways to style my hair, and having my aunt supply free hair products, provides me with a network of people who understand and support my hair journey.

Deimosa: It has been a journey, and right now most of my sisters and friends are wearing their hair natural also, so I hear what you are saying about the community that forms. I have gotten into conversations on my commute, actually, with total strangers about our hair! Someone will ask what product I use to twist my locs (gel, with aloe but no alcohol) and by the end of our interaction I am emailing them links to videos on natural hair maintenance. When I think about it as a librarian, I am basically getting and answering reference questions about locs. Which leads us to the book list that you put together… what informed your choices?

Chloe: Through my own hair journey, I have always looked for representations of girls and women with natural hair. I started to think back to books that I read as a child, and I could only think of one or two books about girls with “nappy” or natural hair. I was sure that with more black women going natural, that there must be many more books out now on this topic.  I was very pleased to find that there were many more books available that talk about natural hair, as well as the Happy to be Nappy book that I remember reading as a kid. Check out these books for children who are starting their own hair journey:

  • Big Hair, Don’t Care, by Crystal Swain-Bates and Megan Bair: Lola loves her big hair and all of the different ways that it can be styled
  • Hair Like Mine, by LaTashia M. Perry and Bea Jackson: a little girl appreciates her hair and what is special about it
  • Happy Hair, by Mechal Renee Roe: shows a variety of beautiful hair styles
  • Happy to be Nappy, by bell hooks and Chris Raschka: an NAACP Image Award winning book
  • I Like Myself! , by Karen Beaumont and Davis Catrow: fun with equally fun and funny illustrations
  • I Love My Hair!, by Natasha Anastasia Tarpley and E.B. Lewis: shows quality time between mother and daughter while hair is combed and braided
  • Maggie Sinclair, Will You Please Fix Your Hair?, by Hilary Grand Dixon and Gabrielle Howell: Maggie uses creative styles to satisfy her grandma’s request that she ‘fix’ her hair
  • Wild, Wild Hair, by Nikki Grimes and George Ford: every Monday Tisa’s mother combs and braids her hair into twenty plaits

Deimosa: That is a pretty good list of picture books. I just want to add a few novels that I love. These three books have hair braiding scenes that really hit home when I read them the first time:

  • Patina, by Jason Reynolds: Patina braids her little sisters’ hair on Sundays, carefully adorning it with beads held in place with aluminum foil
  • Piecing Me Together, by Renée Watson: Jade and her mentor have a bonding moment when Maxine helps her unbraid and comb out her hair
  • Shadowshaper, by Daniel José Older: the scene where Sierra’s friend Bennie braids her hair while they talk, and think quietly, takes me back… to last weekend - I'm looking forward to Shadowhouse Fall, which comes out in September

We both love our curls, and working on this gave us the opportunity to share advice on products and maintenance – not just between us, but also with some of the guys here. It turns out that, in The Scholastic Library, we are community of coconut oil and Shea butter fans!

Add our recommendations to your collection, and share them next time you are exchanging hair tips or settling in to braid or twist for a few hours.

On the podcast: Celebrating 25 years of Goosebumps

We have a new podcast episode!

In July 1992, Scholastic introduced a monthly book series by R.L. Stine called Goosebumps with Goosebumps: Welcome to Dead House. Twenty-five years (and several generations of frightened kids later), Goosebumps is now one of the best-selling children's series of all time with more than 350 million English language books in print. To celebrate this milestone, we invited R.L. Stine into the studio to reflect on the last 25 years and to give us a look at what's still to come for the master of horror. 

Stine kicked things off by taking us back to the origin of the series. "You want to know the real funny part that I don't talk about all the time is that I never wanted to do Goosebumps," he said. "I said that's a horrible idea, scary books for 7- to 12-year-olds. . .That's the kind of businessman I am." 

Of course, we know he eventually agreed to start writing the books, and the rest is history — a megabestselling series, a TV show, and a movie later, and kids are still devouring Goosebumps! 

Though Stine is often hailed as the master of fright, he is also a jokester. In fact, I don't think anyone could make it through this episode without laughing out loud. 

One of my personal favorite parts of the show is when Stine shares some of his favorite letters that he's received over the years from young readers. 

"Dear R.L. Stine," one begins, "You are my second favorite author."

Stine laughed. "That was all it said! She kept me in suspense!" 

This episode also features a special gust co-host, Scholastic employee Gina Asprocolas. Gina is an internal communications manager, and quite possibly one of the biggest Goosebumps fans of all time — or, as she says, at least in New Jersey. 

Gina shares her story of growing up with Goosebumps. I love when she talks about how quickly she would devour the books — she would start reading in the bookstore, continue while walking through the mall and the whole car ride home, so that she was done almost immediately after getting home. Of course, at that point, she demanded another book! It got so egregious that her mom instituted a rule that she wasn't allowed to start reading until they walked through the door of their house. 

To prove that she's the ultimate Goosebumps fan, we test Gina's knowledge with some R.L. Stine trivia. And she shares some millennial-inspired Goosebumps titles since, you know, the series was born in the '90s and all.

Pop in your earbuds and give this special episode a listen right here! (We're also available on iTunes, Google Play, or your favorite podcast app!)

Scholastic Canada publishes 25 of the 150 top-selling books by Canadian authors of the past 10 years

As Canada celebrates its 150th birthday, Scholastic Canada is marking its 60th anniversary. What a pleasant surprise, then, to see that Scholastic Canada is the publisher of 25 of the 150 top-selling books written by Canadian authors in the last 10 years

BookNet Canada created the list, which includes 35 titles by Robert Munsch (of which Scholastic Canada publishes 20!) as well as titles from Gordon Korman, Phoebe GilmanBarbara Reid and Jeremy Tankard, and author Helaine Becker with illustrator Werner Zimmermann.

“In the same year that Canada turns 150, Scholastic Canada is celebrating our 60th year of bringing the very best in children’s books to teachers, families and children all across 
the country,” said Nancy Pearson, President, Marketing & Publishing, Scholastic Canada. “We congratulate Robert Munsch on his huge popularity as well as our other authors and illustrators and thank them for helping us encourage all children to learn to love to read.”
 
Dick Robinson, Scholastic Chief Executive Officer, added, “This is a remarkable accomplishment for our Scholastic Canada colleagues. They have grown the Robert Munsch franchise and the entire children’s publishing market through their work with schools and libraries as well as retail and online stores.”
 
To read the press release, go to our media room. For the full list, visit BookNet Canada.

When you really, really love your child's teachers

My five-year-old daughter finished pre-K a few weeks ago (I recently wrote about how we're using storytelling to get ready for kindergarten). 

I have been thinking a lot in the last month or so about my daughter's teachers this year, whom we loved so much that if I was in the right mood (or wrong mood, depending how you look at it), I could be moved practically to tears thinking about how wonderful they were.

Although my daughter grew and learned a lot this year, what I think most about now was how deeply I trusted her teachers, and how important that feeling of trust was for me. 

Parents feel this deeply: it's hard to drop your child off somewhere. (Sometimes it's great, let's be real, but it's also hard!) It made a huge difference that I felt complete faith that these two people—people I didn't even know last year!—would guide my daughter's intellectual and emotional growth all day long for ten months

I grew up in a time when teachers were somewhat less accessible than they are now. At first, I had trouble believing that our teachers truly didn't mind if I sent them an email if my daughter had an issue (I did try to do this sparingly). When I did, our head teacher would always respond with kindness, feedback, and a plan. Many times, she would email later: "I have been checking in with R. on what we discussed, and she is doing very well!" Unbelieveable follow-up.

At the end of the year, I got anxious about the fact that we—and I do mean all of us as a family—would have to leave this class and move on to another school. With parenting comes a lot of worrying, and it brought me such relief to feel such confidence every time I dropped R. in her classroom, and to know that she would be as nurtured and supported as she was.

Every so often, she mentions one of her teachers—she asked me recently whether we could invite one of them over for dinner—but I've found that I am the one who's really dwelling on it. She will move on, as will they, but I know that her pre-K experience set a high bar for my expectations in her future schooling

At Scholastic, we love teachers. That particular value has been instilled in me since even before I became a parent. But it is a whole different thing to feel that first-hand, to be moved emotionally by my child's educational experience. 

And with that, I'll say good luck to our future kindergarten teacher! You have big shoes to fill. 

 

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